Some of the strength of this whole suite is the riffing and near-association of all the sound, mostly based on or around a single letter or syllable. It’s like the most sophisticated, smart doodling on a couple of black keys of the piano, late at night, much port wine.
I have been reading and rereading these superb poems for weeks now, with such pleasure. Partly, as I told you, for the strange kismet of the setting of a few of them – that part of Italy, northwest of Rome, far more Etruscan than Roman, and as old as rocks. I was just there. But more so, for the sheer delight of the language and passion and clarity of the poems. They are so heart-broken, jagged, and yet joyous. It’s going to be a magnificent book, I think.—David Baker